São Paulo, BR

Ana Mazzei, 'Teatro de Borracha', 2015, Industrial Rubber, 6 x 41.5 x 30.5 cm
Ana Mazzei, ‘Teatro de Borracha’, 2015, Industrial Rubber, 6 x 41.5 x 30.5 cm
Ana Mazzei, 'Ghost Brics', 2015, Ghost Paper and Wood, Dimensions Variable - 72 pieces: 24 wall pieces and 48 floor pieces
Ana Mazzei, ‘Ghost Brics’, 2015, Ghost Paper and Wood, Dimensions Variable – 72 pieces: 24 wall pieces and 48 floor pieces
Ana Mazzei, 'Ghost Brics', 2015, Ghost Paper and Wood, Dimensions Variable - 72 pieces: 24 wall pieces and 48 floor pieces
Ana Mazzei, ‘Ghost Brics’, 2015, Ghost Paper and Wood, Dimensions Variable – 72 pieces: 24 wall pieces and 48 floor pieces
Ana Mazzei, 'The measure of her hips', 2016, Wood, Industrial Rubber, Felt and Fabric, 170 x 200 x 200 cm
Ana Mazzei, ‘The measure of her hips’, 2016, Wood, Industrial Rubber, Felt and Fabric, 170 x 200 x 200 cm

Charbel-joseph H. Boutros, ‘No light light in white’, 2014, Video, 11′
A Syriac priest starts reading the genesis in Aramaic – a dead language – shortly before day break in a forest on Mount Lebanon. As the light dims the reading becomes more and more difficult and the priest stops reading when the Aramaic words totally fade into the night.

Charbel-joseph H. Boutros, 'Joined tears', 2014, Glass, Plastic, Tears, 7.5 x 10 x 3.5 cm
Charbel-joseph H. Boutros, ‘Joined tears’, 2014, Glass, Plastic, Tears, 7.5 x 10 x 3.5 cm
Charbel-joseph H. Boutros, 'No light in white light, Night cartography', 2011/2015, Carbon and Black Spray on Paper, The time slept by the artist is erased from the white day, each night produces a new drawing. unique, 50 x 70 cm
Charbel-joseph H. Boutros, ‘No light in white light, Night cartography’, 2011/2015, Carbon and Black Spray on Paper, The time slept by the artist is erased from the white day, each night produces a new drawing. unique, 50 x 70 cm
Charbel-joseph H. Boutros, 'Drink Europa', 2012, Drinking Glass, Water (an equal mix of 28 mineral waters, from the 28 European countries), Painted Wooden Shelf, 55 x 200 x 21 cm
Charbel-joseph H. Boutros, ‘Drink Europa’, 2012, Drinking Glass, Water (an equal mix of 28 mineral waters, from the 28 European countries), Painted Wooden Shelf, 55 x 200 x 21 cm
Charbel-joseph H. Boutros, 'Measuring the measure', 2011, 3 Metallic Rulers, Drawing on Wall, 15 x 100 cm
Charbel-joseph H. Boutros, ‘Measuring the measure’, 2011, 3 Metallic Rulers, Drawing on Wall, 15 x 100 cm
Charbel-joseph H. Boutros, '90 days', 2015, Engraved Carrara Marble and Newspaper, 90 Newspapers (Folhade S.Paulo) are collected, and juxtaposed consecutively by order of days, the last one, the one on the top is the day before the opening.
Charbel-joseph H. Boutros, ’90 days’, 2015, Engraved Carrara Marble and Newspaper, 90 Newspapers (Folhade S.Paulo) are collected, and juxtaposed consecutively by
order of days, the last one, the one on the top is the day before the opening.
Charbel-joseph H. Boutros, 'Let It Ring', 2014, Telephone, Text on Paper, Notebook, Metallic Frame, Wooden Table, Dimensions Variable
Charbel-joseph H. Boutros, ‘Let It Ring’, 2014, Telephone, Text on Paper, Notebook, Metallic Frame, Wooden Table, Dimensions Variable
Charbel-joseph H. Boutres, 'Mon amour', 2012, Two Supermarket Receipts, 16 x 17 cm
Charbel-joseph H. Boutres, ‘Mon amour’, 2012, Two Supermarket Receipts, 16 x 17 cm
Charbel-joseph H. Boutres, 'Mon amour', 2012, Two Supermarket Receipts, 16 x 17 cm
Charbel-joseph H. Boutres, ‘Mon amour’, 2012, Two Supermarket Receipts, 16 x 17 cm
Charbel-joseph H. Boutros, 'But even dead can dance', 2015, Ashes on Canvas, (a new tableau is dismantled, its chassis burned, transformed into ashes, and then applied on the white surface of the canvas), 70 x 90 cm
Charbel-joseph H. Boutros, ‘But even dead can dance’, 2015, Ashes on Canvas, (a new tableau is dismantled, its chassis burned, transformed into ashes, and then applied on the white surface of the canvas), 70 x 90 cm